Whether or not they contain ghosts, many books have been described
as haunting. Laura Whitcomb's writing is definitely that, especially in her imaginative take on
ghosts, A Certain Slant of Light and the follow-up novel, Under the Light.
For more
than a hundred years, Helen has been a ghost with no way to communicate
with the living. She can see people, but they can't see her -- until
one day when someone looks right at her. James is a teenager, alive and
well, and he wants to get to know her. The more they talk, the more is
revealed about Helen's past, as she struggles to remember her life. How
did she die? Why can James see her? Light
reveals shades of darkness and traces of hope as Helen
struggles to recall her life -- and James begins to make her a part of his life.
I strongly recommend reading A Certain Slant of Light first. Though I suppose you could read Under the Light on
its own, trust me, if you know the characters went through in the first
book, it will make the second book all the more poignant.
Trivia time: The title of the novel comes from an Emily Dickinson poem.
Wednesday, April 29, 2015
A Certain Slant of Light and Under the Light by Laura Whitcomb
Tuesday, April 28, 2015
The Geography of You and Me by Jennifer E. Smith
Jennifer E. Smith has managed, with The Geography of You and Me, to write a YA romance that is a lot more about coming of age and finding your way then it is all the traditional dramaramaof teen love. Frankly, this is a story that readers who have little interest in romance will actually enjoy which is great. It's about connecting with somebody, about finding someone you like and getting to know them (in the most old fashioned of ways - through postcards!) rather than the sort of "he loves me/I love him/maybe I love another him more/tingly kisses/heavy petting" love triangle business that seems to be everywhere. (Not that there's anything wrong with that, of course.)
For a large part of The Geography of You and Me Lucy and Owen aren't even in the same country, let alone dating. The novel dwells more on the sudden connections that people can make and their sometimes surprising staying power. This might make it the most romantic of all scenarios after all but that is neither here nor there. It's a good read with good characters and a lot to say about family and that is what mattered to me and why I enjoyed it.
For a large part of The Geography of You and Me Lucy and Owen aren't even in the same country, let alone dating. The novel dwells more on the sudden connections that people can make and their sometimes surprising staying power. This might make it the most romantic of all scenarios after all but that is neither here nor there. It's a good read with good characters and a lot to say about family and that is what mattered to me and why I enjoyed it.
Monday, April 27, 2015
Listen to some books this summer with SYNC
If you haven't listened to an audiobook before, here's your chance to try them out.
If you're already a fan of audiobooks, here's your chance to pick up some titles you may have already wanted to listen to.
The annual SYNC: YA Literature Into Your Earbuds promotion, which gives away two complete audiobook downloads a week--a current young adult title along with a thematically paired classic or required summer reading title--starts up again next week, on May 7. Each audiobook is available for free for one week only, based on a set schedule, so take a look at the schedule and start planning.
This year's lineup includes:
- Beautiful Creatures by Kami Garcia and Margaret Stohl
- Dodger by Terry Pratchett
- X by Ilyasah Shabazz with Kekla Magoon
- The Living by Matt de la Peña
- The Perfect Storm by Sebastian Junger
- Monster by Walter Dean Myers
- and more than 20 other audibooks
You must have the (free) OverDrive app or software installed on a smartphone, tablet, or computer to download the audiobooks, and based on previous years' procedures, I'm assuming you'll also have to supply an email address. But did I mention the audiobooks are free?
Friday, April 24, 2015
Schottenfreude by Ben Schott
As an English major and later an English teacher, I observed a disturbing trend among some of my peers: a startlingly large number of them were positively gleeful about their inability to do math. I was always somewhat horrified by their protests of, "Oh, I'm an English major, I don't do math" -- I mean, it wasn't like I expected them to teach calculus or anything, but they were whipping out calculators to add pairs of two-digit numbers. By the time they stopped groaning about having to do math, found their calculators, and turned them on, I'd already done the arithmetic in my head. Still, they seemed quite content -- proud, even -- that simple math was beyond them. Their einmaleinswiedergabeschwächenstolz astonished and stuck with me.
What, you didn't know there was a word for that?
What, you didn't know there was a word for that?
Wednesday, April 22, 2015
Big Game by Daniel Smith
Oskari REALLY doesn't want to go through the ritual hunt required by his village. What does
spending the night out in the woods and killing something, anything have
to do with signifying that he has become a man? As Oskari is heading to the hunting grounds he and his father discussed as his best chance for killing an animal, the sky opens up and a helicopter full of paramilitary men lands and proceeds to prepare for their mission - which happens to be shooting down Air Force One. As the plane goes down, the President is ejected from it in an escape pod. Oskari finds this pod, releases the President and they figure out just what is going on.They realize that they are now the prey being hunted. Now, the President must rely on the survival skills of this boy-in-the-process-of-becoming-a-man if he wants to get out of this wilderness alive.
The book is now a movie slated for release on June 26th, 2015 and is rated PG-13. It should be an action packed adventure.
Tuesday, April 21, 2015
The Troubles of Johnny Cannon by Isaiah Campbell
Can a book for younger readers (middle school aged) combine aspects of the Civil Rights Movement, the Cold War and Cuba and still be entertaining? After reading Isaiah Campbell's The Troubles of Johnny Cannon I would definitely say yes.
Labels:
Fantasy
,
Historical Fiction
,
History Matters
,
See the World
Monday, April 20, 2015
Utopia, Iowa by Brian Yansky
In the small town of Utopia people live very long lives and possess some very interesting quirks. One boy and his family are all very lucky, one of the school teachers always knows what is going to happen with the weather, there is an amazing batch of strawberry jam that shows up a few times of year courtesy a particularly gifted gardener and aspiring teen screenwriter Jack Bell sees dead people.
The crazy thing about Jack is that his "gift" isn't even the most amazing one in his family.
This is just how it is in Utopia. Some people believe in all the mystery, others do their best to ignore or even debunk it. Whatever. It's all live and let live mostly but then a girl dies at the local private college, (which includes coursework in mind reading, fortune-telling and teleportation), and starts visiting Jack. The problem with Alice is that she doesn't know how she died and the dead always know how they died. She wants Jack to sort it out and soon enough he discovers that her death is not the worst thing to happen in Utopia and rather is just the start of things getting a lot worse, especially for the guy stuck in the middle of it all.
The crazy thing about Jack is that his "gift" isn't even the most amazing one in his family.
This is just how it is in Utopia. Some people believe in all the mystery, others do their best to ignore or even debunk it. Whatever. It's all live and let live mostly but then a girl dies at the local private college, (which includes coursework in mind reading, fortune-telling and teleportation), and starts visiting Jack. The problem with Alice is that she doesn't know how she died and the dead always know how they died. She wants Jack to sort it out and soon enough he discovers that her death is not the worst thing to happen in Utopia and rather is just the start of things getting a lot worse, especially for the guy stuck in the middle of it all.
Thursday, April 16, 2015
Usagi Yojimbo by Stan Sakai
The great samurai saga Usagi Yojimbo, by Stan Sakai, is one of my favorite comics sagas of all time. Yet it is unfortunately unknown to so many people. The ongoing adventures of Usagi, a ronin warrior monk, and the assorted friends, rogues, and enemies, are stories I read regularly, over and over again. Imagine an anthropomorphic 17th century Japan, with rabbit samurai, fox thieves, rhinoceros bounty hunters, clans of ninja bats, conniving snake lords... it's as if Carl Barks (Donald Duck Adventures, Uncle Scrooge Adventures) and Akira Kurasawa (Seven Samurai, Roshomon) made comics together.
There is nothing better to do on a lazy afternoon than to get lost in the sword fights, political intrigue, epic battles, and suspenseful monster hunting tales that make up the twenty some odd volumes of this tremendous series. And did I mention the humor? Usagi Yojimbo has it all!
Waaay back, in the early years of this blog, Jesse mentioned Usagi Yojimbo, but I felt it was well worth the time to revisit this great comics samurai epic.
There is nothing better to do on a lazy afternoon than to get lost in the sword fights, political intrigue, epic battles, and suspenseful monster hunting tales that make up the twenty some odd volumes of this tremendous series. And did I mention the humor? Usagi Yojimbo has it all!
Waaay back, in the early years of this blog, Jesse mentioned Usagi Yojimbo, but I felt it was well worth the time to revisit this great comics samurai epic.
Wednesday, April 15, 2015
Descent by Tim Johnston
I've got a bone to pick with Tim Johnston.
I read the last 100 pages of Descent in a flurry, staying up to 1:00 am and then going back and re-reading the last 10 pages just to make sure I didn't miss anything.
It's that good.
The problem is, I've got a two year old that has the sleeping habits of a wolverine on Red Bull, which means I'm running on three hours of sleep and about a gallon of coffee this morning as I write this.
Speaking of being a father, Descent represents a parent's worst nightmare. There is nothing more terrifying than the thought of someone kidnapping your child, it's the kind of stuff that can drive you insane just by thinking about it. That's why I make sure both of my children are always armed with semi-automatic weapons. Joking.
You might say that the kidnapping theme is one that has been done again and again, and you'd be right. However, I'm going to go out on a limb here and say that there's a good chance you haven't read one written as powerful as this. This is no run of the mill "literary thriller." The writing in this story is about as good as it gets.
I read the last 100 pages of Descent in a flurry, staying up to 1:00 am and then going back and re-reading the last 10 pages just to make sure I didn't miss anything.
It's that good.
The problem is, I've got a two year old that has the sleeping habits of a wolverine on Red Bull, which means I'm running on three hours of sleep and about a gallon of coffee this morning as I write this.
Speaking of being a father, Descent represents a parent's worst nightmare. There is nothing more terrifying than the thought of someone kidnapping your child, it's the kind of stuff that can drive you insane just by thinking about it. That's why I make sure both of my children are always armed with semi-automatic weapons. Joking.
You might say that the kidnapping theme is one that has been done again and again, and you'd be right. However, I'm going to go out on a limb here and say that there's a good chance you haven't read one written as powerful as this. This is no run of the mill "literary thriller." The writing in this story is about as good as it gets.
Labels:
Keeping You On the Edge of Your Seat
,
Survival
Tuesday, April 14, 2015
AIMLESS LOVE: New and Selected Poems by Billy Collins
April being National Poetry Month, it seemed fitting to feature a poetry collection, so here goes:
Aimless Love is the most recent poetry collection by Billy Collins, a marvel of understatement and wit. And if you can't tell whether I'm speaking of the poet or the collection, that's intentional, as the phrase applies equally to both.
The book includes selections from four prior collections, Nine Horses, The Trouble With Poetry, Ballistics, and Horoscopes for the Dead (previously reviewed here at Guys Lit Wire, plus another 51 new poems. Fifty-two, if you count "Reader", which forms a sort of preface. Note how it's all one sentence and how, too, some of the synonyms for "reader" sound like insults as much as descriptors (I'm thinking "thumb-licking page turner" isn't neutral, for instance.)
And then there's "Last Meal", about the grim reaper arriving as a waiter, or a poem about aging entitled "Cheerios".
Aimless Love is the most recent poetry collection by Billy Collins, a marvel of understatement and wit. And if you can't tell whether I'm speaking of the poet or the collection, that's intentional, as the phrase applies equally to both.
The book includes selections from four prior collections, Nine Horses, The Trouble With Poetry, Ballistics, and Horoscopes for the Dead (previously reviewed here at Guys Lit Wire, plus another 51 new poems. Fifty-two, if you count "Reader", which forms a sort of preface. Note how it's all one sentence and how, too, some of the synonyms for "reader" sound like insults as much as descriptors (I'm thinking "thumb-licking page turner" isn't neutral, for instance.)
ReaderSince Billy Collins is aging, it's not surprising, I suppose that a bunch of the newer poems are about aging and death, though that's not true of all of them. There is a mixture, too, of the silly and the sublime, the serious and the quirked eyebrow. For instance, there is "The Suggestion Box", a poem about how everyone wants to tell him what to write poems about (usually them), which mixes what is likely a legitimate poet's complaint with dry humor, or "The Sandhill Cranes of Nebraska", which is actually about how he got to Nebraska too late in the season to the see the birds that are the subject of the poem, and ends with him "in another state, stuck in a motel lobby/ with the local paper and a styrofoam cup of coffee,/ busily missing God knows what."
by Billy Collins
Looker, gazer, skimmer, skipper,
thumb-licking page turner, peruser,
you getting your print-fix for the day,
pencil chewer, note taker, marginalianist
with your checks and X's
first-time or revisited,
browser, speedster, English major,
flight-ready girl, melancholy boy,
invisible companion, thief, blind date, perfect stranger--
that is me rushing to the window
to see if it's you passing under the shade trees
with a baby carriage or a dog on a leash,
me picking up the phone
to imagine your unimaginable number,
me standing by a map of the world
wondering where you are--
alone on a bench in a train station
or falling asleep, the book sliding to the floor.
And then there's "Last Meal", about the grim reaper arriving as a waiter, or a poem about aging entitled "Cheerios".
Monday, April 13, 2015
Being Mortal by Atul Gawande
Being Mortal is subtitled “Medicine and What Matters in the End,” and author Atul Gawande’s arguments matter so much that I have been recommending this nonfiction title to nearly everyone. Gawande could well have called his book Being Human, as it speaks to our morality as much as it does our mortality. Specifically, the morality of how we deal with aging and dying. Though life expectancies and our medical ability to sustain life have increased, our ability to make these extended lives meaningful lags behind.
Nursing homes, even the best ones, often leave their residents depressed and isolated; these institutions focus so strongly on safety and standards that the humanity of their residents becomes secondary. A noted surgeon and author, Gawande makes this abundantly clear in his many interviews with and profiles of said residents, and he himself says it most clearly in these words:
“The terror of sickness and old age is not merely the terror of the losses one is forced to endure but also the terror of the isolation. As people become aware of the finitude of their life, they do not ask for much…They ask only to be permitted, insofar as possible, to keep sharing the story of their life in the world—to make choices and sustain connections to others according to their own priorities.” (146-147)
The hardest choices to make involve end-of-life issues and deciding when to stop pursuing treatments that may only make one’s final days worse; these choices become the focus of the second part of Being Mortal. Patients, particularly at this stage, desire what Gawande calls (using research from medical ethicists Ezekiel and Linda Emanuel) an “interpretive” relationship with their doctors, a relationship where doctors ask what is most important to patients and what patients are most concerned about before dispensing medical knowledge and advice.
Yet most doctors focus instead on attacking the medical problems at all costs (financial, emotional, mental, physical), which too often leads to the same cruel irony as our nursing home model: patients who feel dehumanized. They want their stories to be heard, they want to have a part in how the story of their final days will be told, and they want the stories of their final days to consist of more than their medical conditions and treatments.
Gawande comes to understand the importance of listening to these stories, admitting his own mistakes with previous patients, and allowing us a detailed look at the story of his father (also a doctor) as the elder Dr. Gawande deals with a painful and progressive spinal cord tumor. Being Mortal succeeds because Gawande argues not only as a doctor cautioning us against heedless attempts to forestall simply because we have the technology and medical ability to do so, but also as a son using the gutting story of his father’s death as its own intimate argument.
As a son, I could not read the second half of Gawande’s book without thinking of the story of my own father’s painful death from colon cancer, and I could not read the first half without thinking about my aging mother and the decisions she and my siblings and I will eventually have to make. Dying is part of all of our stories, but we have become increasingly uncomfortable discussing it. Gawande stresses that although we have learned how to live longer, we must relearn how to die. This learning must include having initially uncomfortable discussions about end-of-life issues. Patients and families must tell these stories. Doctors and families must listen to these stories. We as a society must honor the humanity of these stories.
As a teacher, I could not read Being Mortal without the stark recognition that Gawande’s diagnosis applies to our educational institutions as well. The reasons so many nursing home residents hate being there are the same reasons so many students (many more so than when I began teaching twenty years ago) hate school: Their autonomy is sacrificed for safety and order, their own stories are not valued, standards of humanity are sacrificed for standardized testing and curriculum.
Education becomes, as Gawande bemoans about medicine, “increasingly miscast in retail terms” (168). In education we push technology and data at the expense of humanity, just as medicine often does. Someone needs to write a Being Mortal for education, and Gawande’s subtitle needs only a tiny change: "Education and What Matters in the End." For what matters most in the end is a satisfying answer to the question at the heart of all our stories: What does it mean to be human?
Nursing homes, even the best ones, often leave their residents depressed and isolated; these institutions focus so strongly on safety and standards that the humanity of their residents becomes secondary. A noted surgeon and author, Gawande makes this abundantly clear in his many interviews with and profiles of said residents, and he himself says it most clearly in these words:
“The terror of sickness and old age is not merely the terror of the losses one is forced to endure but also the terror of the isolation. As people become aware of the finitude of their life, they do not ask for much…They ask only to be permitted, insofar as possible, to keep sharing the story of their life in the world—to make choices and sustain connections to others according to their own priorities.” (146-147)
The hardest choices to make involve end-of-life issues and deciding when to stop pursuing treatments that may only make one’s final days worse; these choices become the focus of the second part of Being Mortal. Patients, particularly at this stage, desire what Gawande calls (using research from medical ethicists Ezekiel and Linda Emanuel) an “interpretive” relationship with their doctors, a relationship where doctors ask what is most important to patients and what patients are most concerned about before dispensing medical knowledge and advice.
Yet most doctors focus instead on attacking the medical problems at all costs (financial, emotional, mental, physical), which too often leads to the same cruel irony as our nursing home model: patients who feel dehumanized. They want their stories to be heard, they want to have a part in how the story of their final days will be told, and they want the stories of their final days to consist of more than their medical conditions and treatments.
Gawande comes to understand the importance of listening to these stories, admitting his own mistakes with previous patients, and allowing us a detailed look at the story of his father (also a doctor) as the elder Dr. Gawande deals with a painful and progressive spinal cord tumor. Being Mortal succeeds because Gawande argues not only as a doctor cautioning us against heedless attempts to forestall simply because we have the technology and medical ability to do so, but also as a son using the gutting story of his father’s death as its own intimate argument.
As a son, I could not read the second half of Gawande’s book without thinking of the story of my own father’s painful death from colon cancer, and I could not read the first half without thinking about my aging mother and the decisions she and my siblings and I will eventually have to make. Dying is part of all of our stories, but we have become increasingly uncomfortable discussing it. Gawande stresses that although we have learned how to live longer, we must relearn how to die. This learning must include having initially uncomfortable discussions about end-of-life issues. Patients and families must tell these stories. Doctors and families must listen to these stories. We as a society must honor the humanity of these stories.
As a teacher, I could not read Being Mortal without the stark recognition that Gawande’s diagnosis applies to our educational institutions as well. The reasons so many nursing home residents hate being there are the same reasons so many students (many more so than when I began teaching twenty years ago) hate school: Their autonomy is sacrificed for safety and order, their own stories are not valued, standards of humanity are sacrificed for standardized testing and curriculum.
Education becomes, as Gawande bemoans about medicine, “increasingly miscast in retail terms” (168). In education we push technology and data at the expense of humanity, just as medicine often does. Someone needs to write a Being Mortal for education, and Gawande’s subtitle needs only a tiny change: "Education and What Matters in the End." For what matters most in the end is a satisfying answer to the question at the heart of all our stories: What does it mean to be human?
Labels:
Everyone's Got Issues
,
Real Lives
,
The Way We Live
Friday, April 10, 2015
The Alex Crow by Andrew Smith
Ariel is a refugee, a fifteen year-old boy who can't seem to find his place in the world, no matter how many lives he lives. When his village in the Middle East is bombed, Ariel is collected by soldiers who take care of him - until their convoy is bombed. Then Ariel tags along with a family escaping the wreckage of their town. They part ways at a UN refugee camp - the tent city where Ariel goes through the hardest nine months of his life. And from there, he comes out on the other side reborn, like a phoenix, taken to America to live with a foster family. There Ariel meets his new brother, Max, who is only sixteen days older than Ariel.
And that's where shit gets weird.
Thursday, April 9, 2015
How to Talk to Your Cat
Jean Craighead George was a Newbery-Award-winning writer who knew a lot about animals. She wrote a lot of fiction, but I really enjoy her nonfiction. This book, for example. I've lived without cats for a few years now, so rereading this reminded me how much I used to enjoy talking to Merlin, Mr. President, Ibn Rafferty, Bella, et al.
There is one thing to know about cats: The cat that picks you, the one that meows at your door asking to be taken in, makes the best pet. You have not forced yourself upon it. Of its own free will it has chosen you. That's what a cat is all about -- free will.
... cats have worked out as many as nineteen different meows to get their points across... The purr distinguishes the cat from all other animals... Amazingly, the purr is never given when the cat is alone. Sitting in the sun on a soft pillow will not turn on the purr; curled on the hearth before a toasty fire won't do it either. The purr is communication...
There is one thing to know about cats: The cat that picks you, the one that meows at your door asking to be taken in, makes the best pet. You have not forced yourself upon it. Of its own free will it has chosen you. That's what a cat is all about -- free will.
... cats have worked out as many as nineteen different meows to get their points across... The purr distinguishes the cat from all other animals... Amazingly, the purr is never given when the cat is alone. Sitting in the sun on a soft pillow will not turn on the purr; curled on the hearth before a toasty fire won't do it either. The purr is communication...
Tuesday, April 7, 2015
Read Below Grade Level
As a parent, I've had a few run-ins with my kids' teachers. Occasionally, one will insist that the kids select books from the library that are at or above their tested Lexile level or their grade level or something. While I understand wanting to challenge them, if you're going to let kids choose I feel that they should be allowed and encouraged to read what they enjoy. There will plenty of "challenging" reading forced upon them in the future.
After all, I point out, I often read below my "grade level," and sometimes way below my grade level. I'd get pretty annoyed if someone made a bunch of judgments about how I wasn't challenging myself because I love reading children's stories even when there aren't any children around.
The Graphical Canon of Children's Literature, edited by Russ Kick provides another way for readers to enjoy some below-grade-level literature. Each of dozens of children's stories--mostly popular classics--is newly presented as a comic or graphic visual story.
After all, I point out, I often read below my "grade level," and sometimes way below my grade level. I'd get pretty annoyed if someone made a bunch of judgments about how I wasn't challenging myself because I love reading children's stories even when there aren't any children around.
The Graphical Canon of Children's Literature, edited by Russ Kick provides another way for readers to enjoy some below-grade-level literature. Each of dozens of children's stories--mostly popular classics--is newly presented as a comic or graphic visual story.
Monday, April 6, 2015
Watership Down by Richard Adams
Most of my friends look back to JRR Tolkien or George Lucas
as the authors of the greatest epic fantasies ever created, but for me, it is
Richard Adams. His Watership Down is the epic fantasy to which I compare all others. What’s that? You
thought Watership Down was just that cute
book about rabbits? Just one of the first in a long line of anthropomorphic
fiction? No, it is so much more—more than
the allegorical implications of Animal Farm, more than the quest and adventure
of Erin Hunter's various series, and more than the rich
characterization and world-building of Kenneth Grahame's Wind in the Willows. No, Watership Down is
complexly written, intricately plotted, and emotionally nuanced novel about a
bunch of rabbits. I swear it’s awesome.
Friday, April 3, 2015
Playlist for the Dead by Michelle Falkoff
When Sam goes to apologize to his best friend Hayden only to find him dead, Sam's world begins to crumble. Life was never the greatest for the two friends. Both of them had family issues and neither really fit in at school. Together, they found friendship through video games and music.
Sam discovers a note from Hayden directing him to listen to a playlist of songs that will explain why he swallowed his mother's recently refilled prescription of Valium. Sam begins to listen to the music hoping to find some answers and whatever peace he can after the loss of his one and only friend. The music spans a wide range of selections, some favorites of Hayden's and others Sam knows Hayden included just for him.
The night before Hayden's suicide, the two had been at a party. Not a usual event for them, but one they agreed on, each for different reasons. The three bullies who constantly tormented Hayden were not supposed to be at the party, but the cancellation of a football game changed all that.
Sam discovers a note from Hayden directing him to listen to a playlist of songs that will explain why he swallowed his mother's recently refilled prescription of Valium. Sam begins to listen to the music hoping to find some answers and whatever peace he can after the loss of his one and only friend. The music spans a wide range of selections, some favorites of Hayden's and others Sam knows Hayden included just for him.
The night before Hayden's suicide, the two had been at a party. Not a usual event for them, but one they agreed on, each for different reasons. The three bullies who constantly tormented Hayden were not supposed to be at the party, but the cancellation of a football game changed all that.
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